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WOODWORKING |
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Waterdrum and Drumstick by Richard Chrisjohn, Oneida |
BANG! The flexible elm bark pops from the tree. Oneida craftsperson Rita Chrisjohn Benson carefully places her hands under the bark and pulls it free from the trunk. No, the date is not 1794, it is modern times. Haudenosaunee artists who work with wood understand the trees in much the same ways as their ancestors did hundreds of years ago. Using skills and knowledge handed down through her family Rita will turn the elm bark into a sturdy dance rattle.
To the woodworker, each type of tree has its own
character.
Basswood makes good masks because it is
soft and easy to carve.
Hickory is best for lacrosse sticks because
of its strength.
Black ash is favored by basketmakers.
Choosing the right wood is important but so
is collecting it at the proper time of year.
Storing it correctly is also important.
Haudenosaunee woodworkers show great
patience and plan ahead in order to create their art.
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Like other types of traditional art, woodworking developed
to provide things that the Haudenosaunee community needed.
Spears, arrows, cooking ladles, bowls, cradleboards
and even homes were all constructed from wood.
New materials from Europe introduced by the Colonists
reduced the need for wood working and things made by hand.
Today a small number of Haudenosaunee still harvest
trees to create lacrosse sticks, snow snakes, baskets, masks, drums and rattles.
Most use knives and chisels that have been handed
down through the family.
Almost all require years of practice to master.
But even when the tools are modern, respect for the
wood is the first and most important lesson that is taught. |
Wooden Spoon by Richard Chrisjohn, Sr., Oneida and Elmbark Tray by Richard T. Chrisjohn, Jr., Oneida |
![]() Wooden Bear sculpture by Eva Fadden, Mohawk |
![]() Al Jacques, Onondaga |